Productions
Six Degrees of Hamlet
Notes on Shakespeare. An original production of Musica Aperta
- Directed by Joe Banno
- Original Story by Juan Uriagereka
- Script Alyson Currin
- Music Director / Arranger Mariano Vales
- Choreographer Gabriel Chajnik
- Artistic Director Ignacio Alcover
- Executive Director Marina Galvani
Six Degrees of Hamlet was presented at the Shakespeare Theatre as a part of the 2007 Washington Shakespeare Festival. In this show, Musica Aperta puts a new spin on Shakespeare’s greatest play. The performance features chamber, instrumental and vocal music from more than a dozen composers who were inspired by the play. The production takes a prismatic look at Hamlet’s relationship with Ophelia, refracting it through the interactions of an Elizabethan clown and a modern-day janitor who meet on stage by strange coincidence. Their exploration into the twists and turns of Hamlet and Ophelia’s romance triggers a wild deconstruction of the play that draws on an eclectic mix of “Hamlet”-inspired music from the last four centuries.
The audience experiences Hamlet’s journey by way of dance, spoken text (both Elizabethan and modern), and music from composers as diverse as William Byrd, Pyotr Ilyich Tchaikovsky, and John Cage.
“The role of music is open-ended and solid contributions from the musicians, actors and dancers made “ Six Degrees” equally fulfilling for veteran concertgoers and first-timers”
The Washington Post, 2007
The Company
- Cleaning Lady: Nancy Robinet
- Second Clown: Rick Foucheux
- Sopranos: Lorena Guillen - Elizabeth Stevens
- Dancers: Gabriel Chajnik - Ivanova Aguilar
- Violin I: Joel Fuller
- Violin II: Sonia Hayes
- Viola: Mia Lee
- Cello: Ignacio Alcover
- Double Bass: Greg Watkins (June 18) - Ed Malaga (June 25)
- Flute / Piccolo / Alto Flute: Adria Foster
- Oboe / English Horn: Joan Wright
- Clarinet / Bass Clarinet / Alto Saxophone: Lee Lachman (June 18) - David Jones (June 25)
- French Horn: Geoffrey Pilkington, Kathryn Brake
- Piano / Keyboard: Kathryn Brake
- Timpani / Percussion: Bill Richards
- Conductor: Mariano Vales
Part I
Toward High Tide
Prelude “Ophelia” by Natalie Merchant
Scene 1 “Good Night” excerpt from movements 1 & 2, by Henryk Górecki
Scene 2 “How Should I your True Love Know” melody attributed to William Byrd
Scene 3 “Ophelia” by John Cage
Scene 4 “Fourth Song of Ophelia” from Hamlet, incidental music Op.77, by Sergei Prokofiev
Scene 5 “Entr’acte and Melodrame” from Hamlet, incidental music Op. 67a by Piotr Ilyitch Tchaikovsky
Scene 6 “The Mousetrap” from Hamlet: A Shakespeare Scenario, by William Walton, and “Duel and Death of Hamlet” excerpts from Hamlet, film score, Op. 116, by Dmitri Shostakovich
Part 2
Toward Low Tide
Scene 6 “Marcia funebre” from Hamlet, incidental music Op. 67a, by Piotr Ilyitch Tchaikovsky
Scene 5 “Soliloquy” from Hamlet: A Shakespeare Scenario, by William Walton
Scene 4 “La Mort d'Ophelie” by Hector Berlioz
Scene 3 “Death of Ophelia” excerpts from Hamlet, film score, Op. 116, by Dmitri Shostakovich
Scene 2 “Ophelia-Lieder” op. 67,” by Richard Strauss
Scene 1 “Good Night” excerpt from movement 2, by Henryk Górecki
Postlude “Ophelia” by Natalie Merchant